Designing for Arts Institutions

Print Advertising for 108 Contemporary (OVAC Magazine, Summer 2024)

In Summer 2024, I created a full-page print advertisement for 108 Contemporary, featured in the Oklahoma Visual Arts Coalition (OVAC) Magazine.

This project focused on translating a multi-exhibition gallery schedule into a single, clear visual piece designed for a print publication audience — balancing readability, hierarchy, and institutional voice.

The Context

108 Contemporary is a nonprofit contemporary art space in Tulsa, showcasing exhibitions across art, craft, and design. For the Summer 2024 issue of OVAC Magazine, the goal was to highlight multiple overlapping exhibitions while maintaining clarity and visual cohesion within a full-page print ad.

The piece needed to:

  • Communicate exhibition titles, dates, and artists at a glance

  • Maintain strong alignment with 108 Contemporary’s brand

  • Meet print publication standards and specifications

  • Feel refined, legible, and archival — not disposable

My Role

I designed the advertisement from concept through final production, working in Adobe Illustrator to ensure the layout was fully scalable, print-ready, and adaptable for potential reuse across other formats.

This was not a social-first graphic — it was designed specifically for print, with attention to typography, spacing, and hierarchy appropriate for a magazine context.

Scope of Work

  • Full-page print ad design for OVAC Magazine

  • Layout and hierarchy for multiple exhibitions and timelines

  • Integration of artist, juror, and institutional credits

  • Alignment with existing brand identity and tone

  • File preparation for print publication

The final design highlighted:

  • Fiber Works 2024 (Juried by Shin-Hee Chin)

  • Natural Rhythms by Hayley Nichols & Nic Annette Miller

  • Gallery hours, location, and accessibility information

All elements were structured to guide the reader smoothly through dense information without visual overload.

The Approach

My approach emphasized clarity-first design:

  • Strong typographic hierarchy

  • Balanced negative space

  • Visual consistency across sections

  • Readability at multiple viewing distances

The goal was to create a piece that functioned both as promotion and as documentation — something that could live comfortably within a magazine and still represent the institution well over time.

The Outcome

The final ad successfully communicated multiple exhibitions within a single page while maintaining a calm, professional presence consistent with 108 Contemporary’s mission.

It served as:

  • A promotional asset for gallery programming

  • A polished representation of the institution within a regional arts publication

  • An example of design that supports cultural work without overpowering it

Why This Work Matters

Print design for arts institutions requires a different skill set than fast-turn digital content.

It demands:

  • Respect for content and context

  • Precision in layout and hierarchy

  • Understanding of print standards

  • Design that supports longevity, not just immediacy

This project reflects the kind of design work I do best: clear, intentional, and built to support organizations doing meaningful cultural work.

Good design should make information easier to absorb — not harder.

If you’re an arts organization, nonprofit, or cultural institution looking for thoughtful print or digital design that respects your work and your audience, let’s talk.

👉 Schedule a Consult

Previous
Previous

Regent’s Roots Festival Graphics